September 10, 2007

The Integral Tradition

by Matthew Dallman
"The human dilemma is as it has always been, and we solve nothing fundamental by cloaking ourselves in technological glory." — Neil Postman

If the desire is to renew cultural imagination, if the desire is to learn from those that have come before us, if the desire is to know what has occupied, and even flummoxed, great minds from the beginning of recorded history, if the desire is to restore awareness of theological, philosophical, aesthetic, linguistic, historical, and classical truths across the ages, if the desire is to find democratic ways to expand consciousness, deconstruct boundaries of time and space, learn archetypal forms of expression, and to foster fullness in mysterious ways, I simply don't see any way around the simple path in front of us: make the Canonical works of the Humanities your daily bread, part of your sadhana, or practice of artistry. (For more on artistry practice, see The Artist's Breath.) For doing so connects your artistry practice with immersion in the full spectrum of ideas and archetypal forms. It is a study whereby this full-spectrum, along with your unique human experiences, form the content that animates what flows through your art, and so, simply, without anything but study, hard work, and courage, your artistry practice takes lineage in the integral tradition, and can contribute to it.
READ THE FULL ESSAY: HERE

1 comment:

Anonymous said...

"...the chief activity of integral cognition is not looking at all of the available theories—whether premodern, modern, or postmodern—and then asking, "Which one of those is the most accurate or acceptable?," but rather consists in asking, "How can all of those be right?" The fact is, all of the various theories, practices, and established paradigms—in the sciences, arts, and humanities—are already being practiced: they are already arising in a Kosmos that clearly allows them to arise, and the question is not, which of those is the correct one, but what is the structure of the Kosmos such that it allows all of those to arise in the first place? What is the architecture of a universe that includes so many wonderful rooms?"

— Ken Wilber, "The Ways We Are in This Together: Intersubjectivity and Interobjectivity in the Holonic Kosmos" Excerpt C of draft of forthcoming book, Kosmic Karma and Creativity

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